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  The Keelie Hawk - Poems in Scots

  Kathleen Jamie

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  Read by the author, Kathleen Jamie.The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English. Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: ‘by making poems, a language develops’, Jamie observes in a fascinating afterword.

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  A Doll's House

  Henrik Ibsen

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  'Nobody in this house knows what I'm capable of.'
  With a comfortable home, successful husband and two beautiful children, Nora Helmer is the envy of many. But her happy home is built on false foundations. As long-buried secrets begin to surface, Nora wonders if what she has is the same as what she wants.
  Chris Bush's taut and gripping adaptation of Henrik Ibsen's classic play is a powerful exploration of friendship, betrayal, dependency and liberation. It premiered at the Crucible, Sheffield Theatres, in 2024, directed by Elin Schofield.

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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  You Took the Last Bus Home - The...

  Brian Bilston

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  Read, with his trademark charm and humour, by Brian Bilston.If you like a) laughing or b) words which rhyme with each other, you will love Brian Bilston - Richard Osman, author of We Solve Murders'There is poetry to be found in anything if you look hard enough.'You Took the Last Bus Home is a collection of ingenious, hilarious and touching poems from Brian Bilston, one of Britain’s funniest and best-loved poets.With endless wit, wisdom and delightful wordplay, Bilston's first collection of poetry offers profound insights into the common joys and sorrows of modern life. Exploring themes as diverse as love, death, and the unbearable torment of forgetting to put the rubbish out, all of Bilston’s poems are alive to the improbable nuances of the English language.Constantly experimenting with poetic forms – from Venn diagrams to Scrabble tiles – this irresistibly charming collection of poems will make you ponder the very essence of the human condition in the twenty-first century.'Bilston is a magician with words' - The Guardian'Brian Bilston is a laureate for our fractured times' - Ian McMillan

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  Exodus: The Shanghai Jews

  Kate McAll

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  As Jews tried to escape Nazi Germany in the 1930s, they faced unthinkable roadblocks in obtaining exit visas. And while they were denied entry in one country after another, a bureaucratic oddity enabled some of them to flee to an unlikely destination: Shanghai, China.  
   
  In this LATW original commission, playwright Kate McAll used the survivors’ own words to create a narrative of people starting their lives over in a completely new land. 
   
  Funding for this presentation is provided in part by The Rosalinde and Arthur Gilbert Foundation, and The I. Michael Kasser Trust: Michael and Beth Kasser. 
   
  Special thanks to Prof. Steve Hochstadt for his generosity in sharing his research and recordings to help create this work. 
   
  Recorded at the UCLA James Bridges Theater in June 2023. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Edyta Brychta as Lisbeth Loewenberg 
  Michael Canavan as Herbert Greening  
  Shannon Cochran as Ilse Greening 
  Arye Gross as Gerard Kohbieter  
  Anna Mathias as Trude Reisman  
  Alan Shearman as Paul Reisman 
  André Sogliuzzo as Ernest Culman 
  Joanne Whalley as Melitta Colland. 
   
  Senior Producer: Anna Lyse Erikson 
  Recording Engineers, Mark Holden and Charles Carroll 
  Sound Design by Mark Holden 
  Editing and Mixing Engineer, Charles Carroll  
  Senior Radio Producer: Ronn Lipkin

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  Dybbuk Americana

  Joshua Gottlieb-Miller

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  Inventive poetry explores Jewish identity in America"How can I teach a prayer / I only know how to recite?" "America, whose death / didn't you come from?" These are some of the questions that poet Joshua Gottlieb-Miller wrestles with in his beautiful, gripping new collection. By turns experimental and documentary, Dybbuk Americana draws out the questions around Jewish identity in the United States, and what it means to pass on Jewish identity to one's child. This hybrid text draws on art, mysticism, and history, taking the dybbuk, a figure from Jewish folklore, as its central metaphor. A dybbuk is a restless spirit who inhabits another's body, and as a possessing spirit the dybbuk is often treated as a demonic force, but it can be read as merely trying to climb the ladder of the afterlife. In other words, a kind of striver. Enacting the idea of competing selves in one body, Dybbuk Americana plays with form via a series of text boxes that create a multi-channel effect on the page. The body of the poem can be read with surrounding and intercutting text boxes to generate multiple interpretations. This innovative poetic technique maintains a dialogue with Jewish literary lineages: Talmudic commentary and interpretation of the oral law, as well as the fragmented nature of geniza, a place where Jews store sacred documents when they fall out of use. Dybbuk Americana weaves together the father-son arc within a larger socio-political commentary and historical narrative. Poems move deftly between the ironic and the mystic, from aphoristic questioning and inventive narratives, to interview, oral history, and archival materials. In these lines, "the angels./ They get as close as they can." Witty, curious, warm, and searching, Dybbuk Americana signals a fresh voice in Jewish-American poetry.

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