Otros libros que te pueden interesar

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  Man in Motion - A suburban tech...

  Alexander Thomas

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  I’m a pretty rational guy. My LinkedIn profile has just the right amount of normal, wealth-building capitalist on the page. I fly around the world. I sit in boardrooms. To my friends and family, I’m a stand-up guy. But inside I’m spinning. I know what I’m doing. I just don’t know why I’m doing it. 
  For the first forty years of his life, tech entrepreneur Alex Thomas focused on two things: business and family. When his marriage began to fall apart, his search for love and wisdom began. 
  Part memoir, part down-to-earth exploration of spirituality in an accelerating world full of loud voices, Man in Motion takes us on an unflinchingly candid journey as Alex wrestles with that age-old question: hey wait, slow down – what the heck is goin’ on here?

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  Richard E Norman and Race...

  Barbara Tepa Lupack

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  A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. 
   
  In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. 
   
  “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film 
   
  “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History 
   
  “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera

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  Edith Stein: The Life and Legacy...

  Charles River Editors

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  To say Edith Stein lived a remarkable life would be a dramatic understatement. Born in Breslau (then part of Germany) at the end of the 19th century, Edith was raised as an observant Jew, only to turn her back on religion right around the time World War I devastated the continent. In the wake of the war, during which she earned a doctorate and began working as an assistant at the University of Freiburg, she began reading the works of the legendary St. Teresa of Ávila, one of the most influential Catholic saints in history.  
  	As Stein continued to be influenced by St. Teresa, she was baptized as a Catholic in 1922 and began to turn her attention to becoming a nun. When she ultimately decided that would not be her path, she began to teach at a Catholic school in Speyer, a position she held until 1931. As it turned out, that period of time coincided with the rise of the Nazis, with Adolf Hitler working his way up the ranks of the Weimar Republic before taking full power in 1933.  
  	As the Nazis seized the reins in Germany and began implementing antisemitic policies, Stein’s Jewish background made her a target regardless of her conversion, and she had to quit teaching as a result of not being “Aryan” enough to qualify for a civil servant position. In the wake of that, she pursued her original dream by joining a Discalced Carmelite monastery in Cologne by the end of 1933, and she took the name Teresa Benedicta of the Cross. 	Edith and her sister Rosa would remain at Cologne until 1938, when their Jewish background compelled them to flee to a monastery in the Netherlands as antisemitic persecution intensified in Germany. They were two of countless Jews who fled Nazi Germany or attempted to ahead of World War II, but as fate would have it, they didn’t get far enough away.

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  The Longest War - A...

  Catherine Harrington Ph.D.

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  As a naive freshman, Catherine meets Walter, a senior and Big Man on Campus whose sophistication, confidence, and wealth both intimidate and excite her. A three-year absentee courtship follows, during which time the idea of Walt tethers Catherine to safety. She was programmed to marry someone like him, so she ignores the warning signs that they might not be a good match. Hoping to please her mother and seeking refuge from her fraught childhood, she marries and has children with him—but the marriage doesn’t last.Once divorced, Catherine finds herself in a war with Walt over money, and then over access to her children—and suddenly, she can no longer ignore her childhood trauma. The high stakes of her battle with her ex-husband forge her like steel, finding every vulnerability where she needs to heal. Gradually, she develops a backbone, relinquishes her trauma-induced, people-pleasing ways, and steps into her own power.Honest and unflinching, The Longest War reminds us that there’s always a way through when we access the courage within ourselves. No matter how painful life’s difficulties, they offer us the opportunity to heal ourselves and evolve into more open, loving, compassionate people. The choice is ours.

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  Red Army Tank Commander - At War...

  Vasiliy Bryukhov

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  A vivid firsthand account of armored warfare by a WWII Soviet tank commander.   What was it like to command a T-34 tank on the Eastern Front during the Second World War? How were tank operations organized and carried out, what was the actual experience of combat, and what were the qualities that made the difference between success and failure? And what were the chances of survival?   Vasiliy Pavlovich Bryukhov’s vivid, detailed, and gripping memoir of his wartime service gives a fascinating and authentic insight into these questions. It also provides an accurate, unsentimental record of the day-to-day life of a tankman whose unit fought in the forefront of the Red Army throughout the conflict across the western Soviet Union and into eastern Europe. His first-hand eyewitness account is a memorable personal story that provides a powerful insight into the reality of tank warfare seventy-five years ago.

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  The Great Trials of Clarence...

  Donald McRae

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  “Wonderfully evocative… Donald McRae captures the Great Defender in all his complexity.... A joy to read.” — Kevin Boyle, National Book Award-winning author of Arc of Justice"Astonishingly vivid." —James Tobin, Award-winning author of Ernie Pyle’s WarThe story of the three dramatic trials that resurrected the life and career of America’s most colorful—and controversial—defense attorney: Clarence Darrow. Many books, plays, and movies have covered Darrow and the trials of Leopold and Loeb, John T. Scopes, and Ossian Sweet before: Geoffrey Cowan’s The People v. Clarence Darrow; Simon Baatz’s For the Thrill of It; Kevin Boyle’s Arc of Justice; Meyer Levin’s Compulsion and the film adaptation of the same name; Inherit the Wind; but few, if any, have achieved the intimacy and immediacy of Donald McRae’s The Great Trials of Clarence Darrow.

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