Publisher: Krill Press
Ernest Alfred Vizetelly (1853–1922) was an English journalist and author. Ernest republished some of his father's works about Émile Zola but modified them. Ernest was in France during the Franco-Prussian War and wrote a memoir of his experiences My days of adventure; the fall of France, 1870-71 which also contains an autobiographical introduction.
A searing portrait of a country in disarray and of the man at its helm, from "the bravest of Russian journalists" (The New York Times)Hailed as "a lone voice crying out in a moral wilderness" (New Statesman), Anna Politkovskaya made her name with her fearless reporting on the war in Chechnya. Here, she turned her steely gaze on the multiple threats to Russian stability, among them Vladimir Putin himself.Rich with characters and poignant accounts, Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the war in Chechnya, where kidnappings, extra-judicial killings, rape, and torture beget terrorism rather than fighting it. Finally, Politkovskaya denounces both Putin, for stifling civil liberties as he pushes the country back to a Soviet-style dictatorship, and the West, for its unqualified embrace of the Russian leader.Sounding an urgent alarm, Putin's Russia is a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter, who received death threats and survived assassination attempts for her scathing criticism of the Kremlin. Tragically, on October 7, 2006, Politkovskaya was shot and found dead in an elevator in her Moscow apartment building. After several years of investigations, five men were imprisoned for her murder.Show book
A historic account of the Northern England city’s crimes, including misdeeds that shed light on past ways of life—from death by neglect to police killings. How the body of a Wakefield murder victim was exhibited for a fee in 1853, the odd story of a Normanton miner attacked by a prosperous Crofton gentleman in 1875, the tragic death of a twenty-one-year old woman on what should have been her wedding day in 1909, and the case of the Sandal dental lecturer who killed his adopted daughter in 1966 are among the many foul deeds recounted in More Foul Deeds and Suspicious Deaths in Wakefield. In a companion volume to Foul Deeds and Suspicious Deaths in Wakefield (2001), Kate Taylor has assembled more than fifty further accounts of horrific deaths in or near Wakefield. Some killings reflect the tensions and resentment of domestic life but there are mysteries too like the case of a man found dead in 1860 in a shallow beck with no marks of violence on him. In an incident in Horbury involving the death of a baby in 1849 it was the assistant constable pursuing the inquiries who died. The book shows something of the cultural context that can promote murder—the stigma of illegitimacy in the past and the more recent risks of glue sniffing and the appalling bullying of immigrants. Take a journey into the darker and unknown side of your area as you read More Foul Deeds and Suspicious Deaths in Wakefield.Show book
Our thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.Show book
America was the shining city on a hill. It was the country at the forefront of the world democratic order, the global policeman, the might of its military matched only by the depth of its financial reserves. America was the one the world listened to, whether it wanted to or not. So, what happened? Well, a lot of things. In this searing account, Alan Friedman shows how, from the disastrous Vietnam War to Barack Obama's bungled response to the Arab Spring, American intervention has ceased to be the decisive action it once was. And now, with the rise of China and Russia, coupled with America's prostration of itself following the election of Donald Trump, the decline of its authority is only hastening. We move now, Friedman argues, into the New World Disorder. In this dangerous and unstable world, the Washington-enforced liberal order is receding, and a new set of alliances and anxieties are in ascendence. What is America's place in this? Which powers are going to emerge as the leaders? Will the European Union count at all? One thing is for sure: the effects of the New World Disorder will challenge our Western values to breaking point.Show book
“This engrossing collection of historical Midwest murders reads like a thriller. True crime at its best. I couldn’t put it down.” —Susan Furlong, author of the Bone Gap Travellers novels A modern retelling of 20 sensational true crimes, No Place Like Murder reveals the inside details behind nefarious acts that shocked the Midwest between 1869 and 1950. The stories chronicle the misdeeds, examining the perpetrators’ mindsets, motives, lives, apprehensions, and trials, as well as what became of them long after. True crime author Janis Thornton profiles notorious murderers such as Frankie Miller, who was fed up when her fiancé stood her up for another woman. As fans of the song “Frankie and Johnny” already know, Frankie met her former lover at the door with a shotgun. Thornton’s tales reveal the darker side of life in the Midwest, including the account of Isabelle Messmer, a plucky young woman who dreamed of escaping her quiet farm-town life. After she nearly took down two tough Pittsburgh policemen in 1933, she was dubbed “Gun Girl” and went on to make headlines from coast to coast. In 1942, however, after a murder conviction in Texas, she vowed to do her time and go straight. Full of intrigue and revelations, No Place Like Murder also features such folks as Chirka and Rasico, the first two Hoosier men to die in the electric chair after they brutally murdered their wives in 1913. The two didn’t meet until their fateful last night. An enthralling and chilling collection, No Place Like Murder is sure to thrill true crime lovers. “Thornton wittily describes heretofore unheralded true crime stories from Indiana’s small towns.” —Keven McQueen, author of Horror in the HeartlandShow book
This book suggests crime fiction is now the most relevant and valid form of writing which can deal with modern Ireland in terms of the post-'Troubles' landscape and post-Celtic Tiger economic boom. The book takes a chapter by chapter approach with each chapter and author discussing a different facet of Irish crime writing for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. This publication is aimed at both the academic and general reader.Show book
