Altri libri che potrebbero interessarti

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  The Dark Mile - The final book...

  D. K. Broster

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  The Dark Mile – the final instalment of D.K. Broster’s Jacobite trilogy – a sequel to The Flight of the Heron and The Gleam in the North.Two years have passed since the tragic events of The Gleam in the North and Ewen Cameron’s wife Alison is awaiting the birth of their third child in Ardroy while Ewen visits his cousin Ian Stewart at his great Uncle Alexander’s home at Ivernacree.Ian is now heir to the estate, having lost his older brother Alan at Culloden, where they were betrayed by their archenemy, Campbell of Cairns.   Ian is under pressure from his father to marry and secure an heir.  But he can’t forget the old prophecy from a spae-woman about how he will fall in love with “a woman who is not what she seemed”.Fate intervenes when Ian comes to the rescue of an elderly man and his beautiful daughter, Olivia, who has been injured in a coaching accident.  Ian offers them a warm welcome at his home while Olivia recuperates.  Captivated by the girl, Ian is distraught when he discovers her true identity: Beautiful, charming Olivia is a Campbell, daughter of the despised traitor, Campbell of Cairns - which means she can never be his.Back at Ardroy, Ewen has problems of his own as the mendacious Finlay MacPhair is back in the Highlands and intent on wreaking revenge and making mischief for Ewen in return for more English gold. The Dark Mile is a gripping, romantic tale of star-crossed lovers, deceit, treachery, vengeance and – ultimately - redemption.   It brings the thrilling tales from The Flight of the Heron and The Gleam in the North to a satisfying and gripping conclusion.With action, historical adventure and lyrical descriptions of the Scottish Highlands, The Dark Mile, the final book in the trilogy is sure to appeal to fans of Diana Gabaldon’s Outlander series and Peter May’s Lewis trilogy.

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  The Way We Live Now

  Anthony Trollope

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  “A wonderful, melodramatic tale-of-the-times, by a master of his craft. It begins in satire and finally resolves into entertaining social comedy.” —The Guardian   A classic satirical novel by the author of the Chronicles of Baretshire series, The Way We Live Now exposes the financial impropriety, greed, and dishonesty that pervaded all aspects of English society at the time it was published, in 1875.   “One of the last examples of the three-volume serialized Victorian novel. If the genre seems nearly as alien to contemporary American readers as the Renaissance epic poem, the world that Trollope portrays is not so remote. Trollope’s London is a satirical distortion of the city that he found upon returning from eighteen months of overseas travel: the luxurious center of a vast empire floating on limitless credit, a society defined entirely by commercial interest, a hothouse of financial speculation and status competition, a place where relationships have become purely transactional. . . . Trollope has the advantage of being unafraid, which gives his social criticism its vivid power. This, he tells us, is what extremely civilized people become when the money gets too big.” —The New Yorker   “Recognized as Trollope’s masterpiece . . . As a savage commentary on mid-Victorian England by a marvelously addictive writer steeped in every aspect of an extraordinary society, it could hardly be bettered.” —The Guardian

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  10 Classic Stories of Horror and...

  Edgar Allan Poe, Robert Louis...

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  This collection features 10 timeless classic tales of horror and suspense by four of the best known writers in the English language: Robert Louis Stevenson, Arthur Conan Doyle, Edgar Allan Poe and Washington Irving. Narrated by Jake Urry, these gripping stories are brought to life for modern audiences in this enthralling collection. The stories include:The Strange Case of Dr. Jekyll and Mr. HydeThe Adventure of the Engineer's ThumbThe Adventure of the Copper BeechesThe Masque of the Red DeathThe Tell-Tale HeartLigeiaThe Black CatThe Premature BurialThe Fall of the House of UsherThe Legend of Sleepy Hollow

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  White Nights

  Fyodor Dostoevsky

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  White Nights, a tale of lonelyness by Fyodor Dostoevsky. 
  Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator, a young man living in Saint Petersburg who suffers from loneliness. He gets to know and falls in love with a young woman, but the love remains unrequited as the woman misses her lover. How will it end? 
  Narrated by Michael Ward.

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  Christmas Is a Sad Season for...

  John Cheever

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  Here is one of twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates—with unequaled grace and tenderness—the deepest feelings we have. 
  As Cheever writes in his preface, ""These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.""

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  Howards End

  E. M. Forster

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  Considered by many to be E. M. Forster's greatest novel, Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger." When the elder Mrs. Wilcox dies and her family discovers she has left their country home—Howards End—to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve. 
   
  Written in 1910, Howards End is a symbolic exploration of the social, economic, and intellectual forces at work in England in the years preceding World War I, a time when vast social changes were occurring. In the Schlegels and the Wilcoxes, Forster perfectly embodies the competing idealism and materialism of the upper classes, while the conflict over the ownership of Howards End represents the struggle for possession of the country's future.  
   
  Forster refuses to take sides in this conflict. Instead he poses one of the book's central questions: In a changing modern society, what should be the relation between the inner and outer life, between the world of the intellect and the world of business? Can they ever, as Forster urges, "only connect"?

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