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  The Poetry of Mirabai - “Don't...

  Mirabai

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  Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth.  
   
  It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age Mirabai’s devotion to Krishna was absolute surrender and complete devotion. It was only with great reluctance that she entered a marriage, arranged by her uncle, to Prince Bhoj Raj of Chittor in 1516.  
   
  The marriage ended after 5 years with the death, in quick succession, of her husband and then father-in-law, who was her protector.  
   
  Her now public display of faith, mainly demonstrated by attending religious meetings, or Satsangs, with their devotional singing and dancing, brought persecution by her remaining in-laws who insisted she stop.  On hearing that her brother-in-law, Vikramaditya, the then king of Chittor, might harm or even kill her, she fled. 
   
  She travelled through northern India expressing her love for Krishna with some 1300 bhajans or sacred songs, usually composed with a simple rhythm and a repeated refrain. Her use of everyday language, infused with a sweetness of emotion and charm brought her a growing respect and popularity  
   
  It is popularly believed that she spent her last years as a pilgrim in Dwarka Gujarat and miraculously merged with the image of Krishna in 1556.

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  Social Dramas - Literature and...

  David A. Postles

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  How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. 
   
  Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use.  
   
  Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. 
   
  “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick 
   
  “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire 
   
  “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh

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  The Sidewalks of London

  Hollywood Stage Productions

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  Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades.  When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  Classic films now become audiobooks with many featuring the original stars from way back when. Here's The Sidewalks of London starring Charles Laughton & Elsa Lanchester.

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  The Great Gatsby

  Francis Scott Fitzgerald

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  In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since. 
  “Whenever you feel like criticising any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.” 
  He didn’t say any more, but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence, I’m inclined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought—frequently I have feigned sleep, preoccupation, or a hostile levity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon; for the intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions. Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.

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  So This Is Love

  Oliver Forward

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  Title Synopsis: 
  Remember, true love cannot be measured, when it has been emptied from the heart. These romantic poems composed by Oliver Forward, remind the reader about positive thoughts in their past with the hope those feelings recur in the future. 
   
  Author Bio: 
  Oliver Forward was born and brought up in the deep piney woods of East Texas to a large family who lived in a small, framed house right off the west side of the Sabine River. His inspiration to write about love sprang from Mother nature, her sun rays ambushing the beautiful petals that decorated the dogwood trees, intoxicating his young, inquisitive mind.

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  Duck Duck Goose (NHB Modern Plays)

  Caitríona Daly

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  When his friend becomes embroiled in a rape allegation, Chris Quinn offers his support. Only the rules keep changing, nothing is clear-cut, and Chris finds himself caught in a tussle between loyalty, love and doubt.
  Caitríona Daly's Duck Duck Goose is a viscerally charged play examining the nature of consent, trust and trial by social media. Full of moral ambiguity and psychological complexity, it was developed as part of Fishamble's A Play for Ireland initiative, and first performed by the company in the 2021 Dublin Theatre Festival.

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