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  Crocker's Hole - From their pens...

  R D Blackmore

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  Richard Doddridge Blackmore was born on 7th June, 1825 at Longworth in Berkshire (now part of Oxfordshire), where his father, John Blackmore, was Curate-in-charge of the parish. His mother died a few months after his birth the victim of an outbreak of typhus. With this loss the family moved to Bushey, Hertfordshire, then on to their native Devon.  His elder brother Richard (by a year), however, was taken by his aunt to live near Oxford. His father married again in 1831, whereupon Richard returned to live with them.  With much of his childhood spent in the lush and pastoral "Doone Country" of Exmoor, and along the Badgworthy Water, Blackmore came to love the very countryside he immortalised in Lorna Doone.  In November 1853 he married his wife Lucy.  And the following year, 1854, his literary career began with a collection of Poems and for the next 15 years he would write in the winters and garden in the summers.  In 1860 with inherited money he built a house in Teddington just outside of London and established a market garden for the cultivation of fruit.  He loved horticulture but having little business experience could never really exploit it.  However with the publication of Lorna Doone in 1869 he was catapulted to fame.  And although he continued to write extensively nothing caught the public imagination quite like Lorna Doone.  RD Blackmore died at Teddington on 20th January, 1900 after a long and painful illness, and was buried next to his wife in Teddington cemetery.

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  The Sea-Wolf

  Jack London

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  "Humphrey Van Weyden is a smart, domesticated man. He enjoys reading and critiquing literature in his free time. So when he finds himself a survivor of a ferryboat accident and at the complete mercy of a tyrannical schooner captain, his life is turned upside down. Exploring themes of ambition, courage, and survival, this 1904 classic adventure novel features an antagonist based on a sailor Jack London once knew."

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  At the Bottom of the River

  Jamaica Kincaid

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  Jamaica Kincaid's At the Bottom of the River . . . inspired, lyrical short stories 
   
   
   
  Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean—family, manners, and landscape—as distilled and transformed by Kincaid's special style and vision. 
   
   
   
  Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things—a house, a cup, a pen. Transfiguring our human form and our surroundings—shedding skin, darkening an afternoon, painting a perfect place—these stories tell us something we didn't know, in a way we hadn't expected.

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  Daddy Bod

  Margot Scott

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  Jonathan: Wherever I am, I'm the biggest guy in the room. People don't just gawk when they see me. They keep their distance, which is fine by me. Why do you think I bought a fixer-upper in the country? 
   
   
   
  I don't mind the manual labor, just like I don't mind the solitude. I've got my own business and projects, and no room for anything—or anyone—else. That is, until an angel shows up on my doorstep, clutching a month-old advert touting a room for rent in my house. 
   
   
   
  A girl her age doesn't move to the middle of nowhere without good reason. I've made it my mission to unearth April's reasons, but the more I learn, the more I need to learn. 
   
   
   
  April: I knew the ad was a long shot, and I wasn't prepared for a giant to answer the door. 
   
   
   
  I expect him to send me packing, but he lets me rent a room. It's not my first choice, but my stepmom threw me out when she discovered how I've been saving for college: working as a cam girl. 
   
   
   
  As soon as I'm online, I meet a customer who buys all my private sessions. Something about this man feels familiar. He wants me to tell him my dirtiest fantasies, things I've never told anyone, about wanting to be sheltered by a man I call Daddy. 
   
   
   
  Contains mature themes.

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  Bullet-proof - From their pens...

  Bernard Capes

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  Bernard Edward Joseph Capes was born on the 30th August 1854 in London.  He was one of 11 children. 
  His early work was as a journalist and this developed into writing many short stories for the periodicals of the time including Blackwood's, Cassell's, Cornhill Magazine, Illustrated London News, Macmillan's Magazine, Mall Magazine, Pearson's Magazine, The Idler, and The Queen. 
  It took him many years to decide that writing full-time could be a sustainable career path.  His initial success came with ‘The Mill of Silence’.  As well as being published it garnered second prize at a competition sponsored by the Chicago Record.  He exceeded that by winning it the following year with ‘The Lake of Wine’.   
  Capes quickly became both prolific and popular.  As well as his stories and articles for the periodicals he wrote around 40 volumes across novels, poetry, history as well as romance and mystery novels. 
  Bernard Capes died on 2nd November 1918 in the flu epidemic.

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  Dominoes at the Crossroads -...

  Kaie Kellough

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  Dominoes at the Crossroads maps an alternate Canada—one crisscrossed by a Caribbean diaspora seeking music, futures, and portals to their past. 
  In this collection of stories, Kaie Kellough’s characters navigate race, history, and coming-of-age by way of their confessions and dreams. Through the eyes of jazz musicians, hitchhikers, quiet suburbanites, student radicals, secret agents, historians, and their fugitive slave ancestors, Kellough guides us from the cobblestones of Montreal’s Old Port to the foliage of a South American rainforest, from a basement in wartime Paris to an underground antique shop in Montréal during the October Crisis, allowing the force of imagination to tip the balance of time like a line of dominoes.

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