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  Russian Winter Nights

  Linda Skye

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  Russia, 1733There is no joy in the Yuletide season for Ekaterina Romanova. As the empress's niece, she knows all too well the wickedness that lies behind the gilded facade of the Winter Court. But an intimate encounter with a handsome stranger offers her a few moments of escape, and awakens her to forbidden desires….Andrey Kvasov is stunned to learn that the beautiful peasant girl he almost made love to in the woods is really a princess. If their mutual passion is discovered, they will both be in grave danger—for the cruel empress has designs of her own on the young architect, and betrayal will be severely punished….

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  The Unrest-Cure

  Saki Saki

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  The Unrest-Cure, a short story by Saki (H.H. Munro), satirizes the upper-class society of early 20th-century England through the lens of humor and absurdity. The narrative centers around Clovis Sangrail, a witty and mischievous young man who visits the dull Huddle siblings at their country estate. The Huddles are depicted as insipid and overly concerned with their mundane comforts.

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  Two Tales From Herman Melville -...

  Herman Melville

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  Two Tales From Herman Melville includes "The Lightning-Rod Man" and "The Bell-Tower." After spending the summer of 1853 in the Berkshire Mountains, where he supposedly had a real life encounter with a lightning-rod salesman, Melville published "The Lightning-Rod Man." At the end of this short story, the lightning-rod salesman is exposed for the fraud that he is. However, that will not keep his successors from fanning out to the Middle West, where lightning storms abound and farmers were gullible. On another level, the story can be interpreted as a confrontation between Good and Evil. Through description and diction, the narrator is understood as a follower of God, someone who believes in The Almighty watching over him. On the other hand, the lightning-rod man is seen as a negative character, someone who only has faith in the product he's peddling. "The Bell-Tower," published in 1856, is the story of an eccentric architect named Bannadonna and his quest to build a magnificent bell-tower. As building progresses, local townspeople begin to hear of mysterious occurrences in the tower, leading to a suspenseful conclusion.

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  Female Short Story The - A...

  Georgia F Stewart, Willa Cather,...

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  A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’.  This is a perfect place to start our anthology of female short stories. 
   
  Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. 
   
  Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience.  Men often placed women on a pedestal from where their talented words would not threaten their own.   
   
  In these stories we begin with the original disrupter and renegade author Aphra Behn.  A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. 
   
  In those less modern days to be a woman, even ennobled, was to be seen as second class.  You literally were chattel and had almost no rights in marriage.  As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’.  From such a despicable place these authors have used their talents and ideas and helped redress that situation.   
   
  Slowly at first.  Privately printed, often anonymously or under the cloak of a male pseudonym their words spread.  Their stories admired and, usually, their role still obscured from rightful acknowledgement. 
   
  Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone.  Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.   
   
  In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society.  These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut.  They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.    
   
  It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.   
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  01 - The Female Short Story. A Chronological History - An Introduction - Volume 8 
  02 - When Spirits Steal by Philippa Forest 
  03 - The Strange Looking Man by Fanny Kemble Johnson 
  04 - The Readjustment by Mary Austin 
  05 - Passed by Charlotte Mew 
  06 - The Woman Who Sat Still by Parry Truscott 
  07 - Sylvia by Bessie Kyffin-Taylor.wav 
  08 - The Preacher at Hill Station by Katherine Davis Chapman Tillman 
  09 - The Spirit of the Range by B M Bower 
  10 - The Wooing of Pastor Cummings by Georgia F Stewart 
  11 - Hodge by Elinor Mordaunt 
  12 - Fear by Catherine Wells 
  13 - The Difference by Ellen Glasgow 
  14 - Paul's Case by Willa Cathe

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  The World's Finest Mystery and...

  Ed Gorman, Martin H. Greenberg

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  More than 200,000 words of great crime and suspense fictionEach year, Ed Gorman and Martin H. Greenberg, editors of The World's Finest Mystery and Crime Stories, have reached farther past the boundaries of the United States to find the very best suspense from the world over. In this third volume of their series they have included stories from Germany, Belgium, and the United Kingdom as well as, of course, a number of fine stories from the U.S.A.  Among these tales are winners of the Edgar Award, the Silver Dagger Award of the British Crime Writers, and other major awards in the field.In addition, here are reports on the field of mystery and crime writing from correspondents in the U.S. (Jon L. Breen), England (Maxim Jakubowski), Canada (Edo Van Belkom), Australia (David Honeybone), and Germany (Thomas Woertche).Altogether, with nearly 250,000 words of the best short suspense published in 2001, this bounteous volume is, as the Wall Street Journal said of the previous year's compilation, "the best value-for-money of any such anthology."The A-to-Z of the authors should excite the interest of any mystery reader:Robert Barnard • Lawrence Block • Jon L. Breen • Wolfgang Burger • Lillian Stewart Carl • Margaret Coel • Max Allan Collins • Bill Crider • Jeffery Deaver • Brendan DuBois • Susanna Gregory • Joseph Hansen • Carolyn G. Hart • Lauren Henderson • Edward D. Hoch • Clark Howard • Tatjana Kruse • Paul Lascaux • Dick Lochte • Peter Lovesey • Mary Jane Maffini • Ed McBain • Val McDermid • Marcia Muller • Joyce Carol Oates • Anne Perry • Nancy Pickard • Bill Pronzini • Ruth Rendell • S. J. Rozan • Billie Rubin • Kristine Kathryn Rusch • Stephan Rykena • David B. Silva • Nancy Springer • Jac. Toes • John Vermeulen • Donald E. Westlake • Carolyn Wheat. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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  Nebraska - Stories

  Ron Hansen

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  Stories of the heartland by the National Book Award finalist and author of The Assassination of Jesse James by the Coward Robert Ford. “Nebraska captures a rowdy, changing America. Written with wit and brawny lyricism, in voices ranging from hip to tender, the stories gathered here are as diverse and expansive as the country they celebrate…References to America’s heartland abound throughout the book and serve as a central metaphor for what’s close to American hearts, what connects us: dreams, myths and possibilities as vast as the Great Plains. Wise and smart-alecky, creaking with legend and crackling with modernisms, these tales are about American obsessions past and present.” –The Washington Post Book World “Just as Raymond Carver came to be identified with a Pacific Northwest populated by blue-collar workers, and just as Richard Ford has crafted a Montana full of drifters, so Ron Hansen has carved out his own geographical niche. His Nebraska is a distinctive mix of 19th century settlers and 1980s breadwinners, of sudden storms and life-long yearnings, of lost souls stranded in the middle of nowhere.” –USA Today “Beautifully crafted stories… Wickedness, evil, malice is called by name; and for Hansen’s people the snake in the garden never fails to appear.” —The New York Times “Breathtaking virtuosity…These short narratives are utterly clean and smooth; they click together like a collection of river-washed stones that are each remarkably different yet polished by the same hand.”—Publishers Weekly

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