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  David Copperfield

  Charles Dickens

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  The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account), commonly known as David Copperfield, is a novel in the bildungsroman genre by Charles Dickens, narrated by the eponymous David Copperfield, detailing his adventures in his journey from infancy to maturity. It was first published as a serial in 1849-50, and as a book in 1850.
  David Copperfield is also an autobiographical novel: "a very complicated weaving of truth and invention", with events following Dickens's own life. Of the books he wrote, it was his favourite. Called "the triumph of the art of Dickens", it marks a turning point in his work, separating the novels of youth and those of maturity.
  At first glance, the work is modelled on 18th-century "personal histories" that were very popular, like Henry Fielding's Joseph Andrews or Tom Jones, but David Copperfield is a more carefully structured work. It begins, like other novels by Dickens, with a bleak picture of childhood in Victorian England, followed by young Copperfield's slow social ascent, as he painfully provides for his aunt, while continuing his studies.
  Dickens wrote without an outline, unlike his previous novel, Dombey and Son. Some aspects of the story were fixed in his mind from the start, but others were undecided until the serial publications were underway. The novel has a primary theme of growth and change, but Dickens also satirises many aspects of Victorian life. These include the plight of prostitutes, the status of women in marriage, class structure, the criminal justice system, the quality of schools and the employment of children in factories.

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  The Return of Tarzan

  Edgar Rice Burroughs

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  Tarzan had renounced his right to the woman he loved, and civilization held no pleasure for him. After a brief and harrowing period among men, he turned back to the African jungle where he had grown to manhood. It was there he first heart of Opar, the city of gold, left over from fabled Atlantis. 
   
  It was a city of hideous men—and of beautiful, savage women, over whom reigned La, high priestess of the Flaming God. Its altars were stained with the blood of many sacrifices. Unheeding of the dangers, Tarzan led a band of savage warriors toward the ancient crypts and the more ancient evil of Opar.

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  Emerald City of Oz The [The...

  L. Frank Baum

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  Uncle Henry can't pay the mortgage, so he, Aunt Em and Dorothy must leave their Kansas home. Where can they go? To the Land of Oz, of course! Dorothy and the Wizard take Em and Henry on a grand tour, discovering knowledge pills and living paper dolls, solving living puzzles, suffering abuse from living kitchen utensils and drooling over living baked goods - but will anyone in Oz be left living after the Nomes attack, allied with the highly disagreeable Growleywogs? And when General Guph persuades the most evil race alive - the shape-shift ing Phanfasms of Mt. Phantastico-to join the Nome Army, have the Nomes bitt en off more than they can chew?

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  The Importance of Being Earnest

  Oscar Wilde

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  The Importance of Being Earnest is a very popular play written by Oscar Wilde. In the satire, Algernon and Jack are two young members of the English gentry who pursue their romantic desires dishonestly. Both men want to adopt the name "Ernest," who is Jack's imaginary younger brother. The idea of name changing comes about when Algernon wants to marry Cecily, and Jack wants to marry Gwendolen. However, it just so happens that Cecily and Gwendolen are only interested in marrying men named Ernest!

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  Female Short Story The - A...

  Susan Glaspell, Radclyffe Hall,...

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  A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’.  This is a perfect place to start our anthology of female short stories. 
   
  Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. 
   
  Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience.  Men often placed women on a pedestal from where their talented words would not threaten their own.   
   
  In these stories we begin with the original disrupter and renegade author Aphra Behn.  A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. 
   
  In those less modern days to be a woman, even ennobled, was to be seen as second class.  You literally were chattel and had almost no rights in marriage.  As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’.  From such a despicable place these authors have used their talents and ideas and helped redress that situation.   
   
  Slowly at first.  Privately printed, often anonymously or under the cloak of a male pseudonym their words spread.  Their stories admired and, usually, their role still obscured from rightful acknowledgement. 
   
  Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone.  Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.   
   
  In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society.  These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut.  They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.    
   
  It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.   
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  01 - The Female Short Story. A Chronological History - An Introduction - Volume 9 
  02 - White Bread by Zona Gale 
  03 - A Redeeming Sacrifice by Lucy Maud Montgomery 
  04 - The Stones of the Village by Alice Dunbar Nelson 
  05 - A Jury of Her Peers by Susan Glaspell 
  06 - Couching at the Door by D K Broster 
  07 - Devereux's Last Smoke by Izola Forrester 
  08 - The Octoroon's Revenge by Ruth D Todd 
  09 - Guests Unexpected. A Thanksgiving Story by Maude K Griffin 
  10 - Miss Ogilivy Finds Herself by Radclyffe Hall 
  11 - The Mystery of the Gables by Elsie Norris 
  12 - Blessed Are the Meek by Mary Webb 
  13 - Those Who Wait by Ethel Dell 
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  The Great Wall of China

  Franz Kafka

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  "The Great Wall of China" is a short story by Franz Kafka. While written in 1917, it was not published until 1930, seven years after his death. Its first publication occurred in Der Morgen, a German literary magazine. A year later, Max Brod included it in Beim Bau der Chinesischen Mauer, the first posthumous collection of short stories by Franz Kafka.Contained within the story is a parable that was separately published as "A Message from the Emperor" ("Eine kaiserliche Botschaft") in 1919 in the collection Ein Landarzt (A Country Doctor). Some sub-themes of the story include why the wall was built piecemeal (in small sections in many different places), the relationship of the Chinese with the past and the present and the emperor's imperceptible presence. The story is told in the first person by an older man from a southern province.The first English translation, by Willa and Edwin Muir, was published by Martin Secker in London in 1933. It appeared in The Great Wall of China. Stories and Reflections (New York City: Schocken Books, 1946).

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