Traduttore Henry Wadsworth Longfellow
Casa editrice: Charles River Editors
The Inferno is the first part of Dante Alighieri's famous epic The Divine Comedy. In it, Dante is guided through Hell by the Roman poet Virgil. This edition is translated by Henry Wadsworth Longfellow.
Mad Forest explores the reactions of ordinary people to confused events, focusing in particular on two families. What emerges is the dreadful damage done to people's lives by repression and the painful difficulties of lasting change. Caryl Churchill's play about the Romanian revolution was written after she, the director and a group of students from London's Central School of Speech and Drama went to Romania to work with acting students there. The play was first performed in 1990, only three months after their return.Mostra libro
An acclaimed poet deepens her exploration of the domestic in a new collection of playful and wise poemsThe poems in Carrie Fountain’s third collection, The Life, exist somewhere, as Rilke says, between “our daily life” and “the great work”—an interstitial space where sidelong glances live alongside shouts to heaven. In elegant yet colloquial language, Fountain observes her children dressing themselves in fledgling layers of personhood, creating their own private worlds and personalities, and makes room for genuine marvels amid routine. Attuned to the delicate, fleeting moments that together compose a life, these poems offer a guide by which to navigate the signs and symbols, and to pilot if not the perfect life, the only life, the life we are given. Includes the collection Instant WinnerMostra libro
Everyone creates their own coping strategies or rules for living. But what happens when an extended family gathers in the kitchen for a traditional Christmas and they each follow those rules, rigidly? In Sam Holcroft's theatrically playful, dark comedy the family does just that. And when the instructions are there for all to see, audience included, there's really no place to hide. As long-held mechanisms for survival are laid bare, even Mum, who's been preparing this lunch since last January, becomes embroiled. Long-held rivalries and resentments will out. Accusations fly, relationships deconstruct, the rules take over. Rules for Living premiered at the National Theatre, London, in March 2015.Mostra libro
An escaped lion roams the streets of Essex; a lonely pensioner holds a tower block fete; ,brand a young woman dreams of leaving home. Travel the unfashionable A-roads and commuter lines of England -'where industry meets marsh'- with poet Luke Wright. In his stunning new collection, discover a country riven by inequality and corruption but sustained by a surreal, gallow's humour. The Toll combines the elegaic with the anarchic, placing uproarious satire cheek-by-jowl with wild experiments in form and touching poems of parenthood. In this mature follow-up to his best-selling debut, Mondeo Man, Wright captures the strain of austerity Britain, speaking truth to power and registering the toll it takes on us all.Mostra libro
King Lear is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning love. The King's third daughter, Cordelia, is offered a third of his kingdom also, but refuses to be insincere in her praise and affection. She instead offers the respect of a daughter and is disowned by Lear who seeks flattery. Regan and Goneril subsequently break promises to host Lear and his entourage, so he opts to become homeless and destitute, and goes insane. The French King married to Cordelia then invades Britain to restore order and Lear's rule. In a subplot, Edmund, the illegitimate son of Gloucester, betrays his brother and father. Tragically, Lear, Cordelia and several other main characters die.Mostra libro
Connor is, well, Connor. He loves buses, Eddie Stobart and Lego. He also has learning disabilities. When he dies an entirely preventable death in NHS care, his mum, Sara, can't get a straight answer as to how it happened. But Sara and her family won't stop asking questions and soon an extraordinary campaign emerges. Demanding the truth, it uncovers a scandal of neglect and indifference that goes beyond Connor's death to thousands of others. Sara Ryan's impassioned, frank and surprisingly funny memoir Justice for Laughing Boy is adapted for the stage by Stephen Unwin. It was first performed at Jermyn Street Theatre, London, in 2024, in a co-production with Theatre Royal Bath. 'So much magic. So much love. So much laughter. So much work. So much rage. And so many tears.' 'An urgent look at our broken care system… compelling and heartfelt… a mighty testimony that will leave you furious' 'A moving story about love, laughter and the indomitability of one family's fighting spirit… deft and shocking' 'Heartfelt and colourful… a story told with love and fury' 'Hard hitting… balances the procession of grim, galling details against humanising, light-hearted moments… succeeds both as a tribute to Connor's family, and as a galvanising call for deeper compassion and greater support' 'Powerful… hideously timely… a shocking story'Mostra libro
