Outros livros que poderiam interessá-lo

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  Klee

  Donald Wigal

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  An emblematic figure of the early 20th century, Paul Klee participated in the expansive Avant-Garde movements in Germany and Switzerland. From the vibrant Blaue Reiter movement to Surrealism at the end of the 1930s and throughout his teaching years at the Bauhaus, he attempted to capture the organic and harmonic nature of painting by alluding to other artistic mediums such as poetry, literature, and, above all, music. While he collaborated with artists like August Macke and Alexej von Jawlensky, his most famous partnership was with the abstract expressionist, Wassily Kandinsky.

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  Jerry Vale

  Wink Martindale

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  Jerry Vale always knew that he wanted to sing. His tremendous vocal talent and charismatic personality allowed the crooner to impress both in recording and in live performances as he toured all over the country and regularly topped the pop charts throughout the 1950s and 1960s.   In this conversation with Wink Martindale, Vale discusses his career as a performer, some of his most popular recordings and the people that helped him in his professional journey. He provides a personal look at his fantastic rise to success.

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  Unlocking Your Creativity

  Julia Cameron

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  Here we explore some simple ways to find your inner voice and tap into your creativity. Cameron advises us to “make a date with the artist within you.” She talks about the negativity of “creative snipers” as well as the importance of “morning papers.” She believes, “each of us has a song ... and the note we are straining to hear is our own true note.”

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  Georgia O’Keeffe and artworks

  Janet Souter

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  In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.

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  Ella Fitzgerald

  Wink Martindale

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  Ella Fitzgerald’s career began at various amateur nights around New York City, most famously at the Apollo Theater in 1934. From those early days, Fitzgerald grew to be an iconic jazz singer and the First Lady of Song. In the spring of 1983, Fitzgerald sat down for a conversation with Wink Martindale. She discusses how her career began and some of her first hits including “A-Tistket, A-Tasket.” We also hear about some artists she’s a fan of and hear from musicians who cite her as an influence.

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  Redeeming Vision - A Christian...

  Elissa Yukiko Weichbrodt

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  We are formed by the images we view. From classical art to advertisements and from news photos to social media, the images we look at mold our ideas of race, gender, and class. They shape how we love God and our neighbor. 
   
  This practical guide helps us look closely at and understand how a wide variety of images make meaning as aesthetic and cultural objects. Elissa Yukiko Weichbrodt teaches us how to learn from art rather than critique it and how to respond to images in Christian ways, allowing them to positively transform us and how we love. 
   
  The book includes twenty-three images, most in full color, that range from classical European paintings to Central African sculpture, from Chinese ink painting to political propaganda, and from stark anthropological photographs to unconventional installations.

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