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  The Clearing - Poems

  Allison Adair

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  Winner of the 2020 Max Ritvo Poetry Prize, The Clearing navigates the ever-shifting poles of violence and vulnerability with rich imagination and a singular incisiveness, “asserting feminist viewpoints and mortal terror in lush musical lines” (New York Times).
  
  
  
  The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. “What if this time,” they ask, “instead of crumbs the girl drops / teeth, her own, what else does she have.”
  
  
  
  Adair sees the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark tension in this work, and its product is wholly “an alchemical feat, turning horror into beauty” (Boston Globe).

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  Otherland

  Chris Bush

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  'Jo and Harry are changing.
  Harry is changing more than most, undeniably.
  And change is beautiful. Necessary. Terrifying.'
  Break-ups aren't just about who gets the CD collection. As Jo and Harry begin to untangle themselves from each other, new worlds start to open up – worlds filled with new partners, new identities, new possibilities…
  What kind of women do they want to be, and do they have the courage, or the permission, to get there?
  Chris Bush's play Otherland is a bold and beautiful exploration of what it means to be true to yourself in the face of unstoppable change. It premiered at the Almeida Theatre, London, in 2025, directed by Ann Yee.
  Otherland was a finalist for the 2025 Susan Smith Blackburn Prize.
  'A writer of great wit and empathy'The Times
  'One of our most prolific and arresting writers'Evening Standard

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  The Story of a Man Who Collapsed...

  Ivana Sajko

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  . . . I’ve forgotten how to travel, how to surrender to the favor and misfortune of the rails, how one says goodbye, how long one actually stands facing backward watching Point A swiftlydisappearing, and after that how long does he continue standing standing standing . . . I open my notebook, but I have no answer, I write: “traveling from Point A to Point B, from a littleseaside town to Berlin, I gaze out the window at the unfinished houses on the outskirts, warehouses in the industrial zone, stunted trees along the river with plastic bags hanging fromtheir branches like bats . . .”
   
  Sajko teases out the mental state and personal history of the protagonist, posing departure as a major theme that serves as a touchstone not only for our region [of Southeastern Europe] but also for the times we are living in. —Antonela Marušić, Novosti
   
  This is a stylistically superb novel, very readable. . . . And although this is a deeply personal text, it functions much more broadly, giving expression to the experiences, doubts, fears and all things encountered not only by this one, but a whole series of generations. —Matija Prica, booksa.hr
   
  The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure. The reader joins the narrator on his journey, both on the train and in his mind—from disjointed memories triggered by his departure from home, through attempts to put his relationships and experiences in some kind of order to find meaning in them and perhaps assign blame, to confronting his most painful memories—finally arriving with him at his destination with a sense of clarity and the possibility of a new beginning.

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  Light at the Torn Horizon

  Paul Murray

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  There is a fresh candor and a new ease of utterance in this fifth volume of poems by the Dominican writer Paul Murray. What most immediately impresses, in lyric after lyric, are the moments of quiet epiphany. But such moments of vision have not been easily achieved. Throughout the work, rather than avoid the “torn” and wounded areas of our lives, a range of feelings and experiences—unnamed, invading, threatening, desired—are courageously explored. In the end, the vision, the spiritual awareness that is attained, is the more persuasive and convincing for having first been tested. 

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  Loving a Woman in Two Worlds...

  Robert Bly

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  In his numerous roles as groundbreaking poet, editor, translator, storyteller, and father of what he has called "the expressive men's movement," Bly remains one of the most hotly debated American artists of the past half century. In this new collection of poems, the National Book Award-winning poet explores the meaning of mature love in a sustained meditation on faithfulness, on the sustenance of intimacy, and on grief as the door to deep emotion.

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  The Busybody

  Susanna Centlivre

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  The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached.
  Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity.
  This edition, published with William Hazlitt's prefatory note and extra material on Centlivre's life and writing, seeks to highlight the dexterity with which she took on the stage.

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