Editorial: Salt
'This new short story collection from Clare Fisher explores of feelings of failure around gender, sexuality, and work, that arise in a success-obsessed capitalist culture. Dazzling, playful, and experimental, it veers between the real, the surreal and the absurd.'
This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink.Ver libro
A unique collection of short stories by new and established talents in Ireland Surge showcases sixteen previously unpublished short stories, featuring work from new Irish writing talents alongside offerings from acclaimed and award-winning playwrights and short story writers: Frank McGuinness, Mary Morrissy, Éilís Ní Dhuibhne, Gina Moxley, Darran McCann and Mike McCormack. This unique anthology contains the very best of the next generation of Irish authors: ten original stories have been selected from the postgraduate creative writing programmes in Trinity College Dublin, UCD, UCC, UCG and Queen's University Belfast, plus six unpublished stories from established writers who teach on these courses. To be published as part of O'Brien Press' 40th anniversary celebrations. Surge was originally a literary magazine by the New Theatre Group 1937-1943, co-founded by Thomas O'Brien, who set up O'Brien Press with Michael O'Brien in 1974.Ver libro
A series of fires are spread in Moorport, several dozen young people are killed and Turik the wizard is trying to understand what is happening to his town. With some unexpected help from the faun Pym he think he’s on the trail to a solution, or is it just his own doom? In the series of The Wizard of Moorport, we get to follow the old town wizard Turik, his sword wielding friend, and half elf, Jendra Andoral and the faun Pym, how runs errands and do odd jobs for the old wizard. This is a short fantasy/mystery story set in the town of Moorport, an independent township in Eeyr. It is run by the Portmaster and is considered a safe and lawful part of the world. But danger still lurks in the cobbled alleys and Turik the Wizard takes on the task of protecting his people.Ver libro
“Highly intelligent, wildly entertaining stories . . . visionary, philosophical, comic prose—part Gertrude Stein, part Simone Weil, and pure Lydia Davis.” —Elle From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she’s set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times “one of the quiet giants in the world of American fiction.” “The 56 stories . . . showcase the wordplay and distillation of meaning that have become her stylistic hallmarks, offering up crisp twists on familiar themes. . . . Eclectic and astute, Davis continues to find new ways to tell us the things we need to know.” —Publishers Weekly “Outsiders, self-doubt, and alienation: all form the bedrock upon which Davis sets up an off-kilter, edgy universe distinctly her own.” —Kirkus Reviews “Davis should be counted among the true originals of contemporary American short fiction.” —San Francisco Chronicle “Davis deploys her gift for verbal bemusement, annoyance, and high anxiety . . . [and] converts her characters’ complex ruminations into narratives full of insight and pleasure.” —The Village Voice “If you’re smart, chances are good you’ll read the stories in Lydia Davis’s Samuel Johnson is Indignant.” —Vanity Fair “Precise and quietly unsettling.” —Detroit Free Press “Introspective and subversive, ironic and playful, obsessive and funny.” —SalonVer libro
Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia to a middle-class family of Polish, Ukranian and Finnish ancestry. He studied law in Moscow before working as a police-court reporter for a daily newspaper. His literary efforts at this time were confined to poetry and those he did try to get published were all rejected. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His first collection of short stories appeared in 1901 and sold over a quarter of a million copies. He was a sensation. Using his interest in psychology and psychiatry gave him an almost unrivalled ability to delve into the human psyche and create astonishing characters. During the first Russian revolution Andreyev was a staunch defender of democratic ideals and many of his stories reflected the heated mood of the times. With the 1905 Revolution’s failure his work became pessimistic and despairing. By the beginning of the following decade he began losing his audience to new literary movements such as the Futurists. He published little after 1914 except political writings, instead working as the literary editor of the ‘Russian Will’ newspaper. When the Bolsheviks took power he sensed catastrophe was coming and moved to Finland where he spent his last years in poverty distraught at the outcome of the Revolution. Leonid Andreyev died of heart failure on 12th September 1919 at the age of 48 in Mustamäki, Finland. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time it is both chilling and heart-breaking in its Russian setting.Ver libro
• Is an actor’s life as glamorous as it seems? • Avion and Jared, two leads in a new historic play, can barely stand each other, let alone stand the horrid historical play they are both starring in. • The story of Elizabeth Woodville and King Edward is well known, but they can’t seem to capture each character in their acting. • Each of the actors in this play is a Blist actor, headed nowhere fast. • Reviews on previews are terrible and they don’t expect to get far. • When strange things start to happen, on and off set, they begin to question who is really in control. • Dangerous accidents push them to their limit. • It’s about standing your ground, believing in your dream, and overcoming obstacles. • These actors believe in their dream so strongly that they are willing to put their lives in danger in order to continue this production. • They find, as long ago, that strength and love come from the oddest places and can overcome. • “No, no, no, we aren’t people. We play people. There’s a difference” • Each of these actors is now propelled towards fame; but at what cost, as their lives flash in front of them? Short Story Press publishes short stories written by everyday writers.Ver libro
