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  Don't Stop the Carnival - Black...

  Kevin Le Gendre

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  Black British Music and the people who made it, from Tudor times to the mid '60s.
  
  This is a story of empire, colonialism and then the new energies released by the movements for freedom and independence of the post second-world-war years; of the movements of peoples across borders; of the flow of music around the triangle that takes in Africa, the Caribbean, the USA and Great Britain; of temporary but highly influential visitors like Paul Robeson; and of the settlement of ex-colonial peoples who brought their music to Britain, and changed its forms and concerns in the new context. It is the story of institutions like the military that provided spaces for black musicians, but it is also the story of individuals like John Blanke, the black trumpeter in the court of Henry VIII, Ignatius Sancho the composer and friend of Laurence Sterne in the 18th century, early nineteenth century street performers such as Joseph Johnson and Billy Waters, child prodigies such as George Bridgewater and composers such as Samuel Coleridge-Taylor in the later 19th whose music is still played today. Above all, it is the story of those individuals who changed the face of British music in the post-war period, who collectively fertilized British jazz, popular music and street theatre in ways that continue to evolve in the present.
  
  This is the story of the Windrush generation who brought calypso and steelband to Britain's streets, Caribbean jazz musicians such as Joe Harriot and Shake Keane, or escapees from apartheid South Africa, such as Chris McGregor and Dudu Pukwana who brought modernity and the sounds of Soweto to British jazz, and a later generation who gave ska and reggae distinctive British accents. Based on extensive research and many first-hand interviews, one of the great virtues of Kevin Le Gendre's book is lack of London-centricity, its recognition that much important development took place in cities such as Manchester, Leeds and Bristol. As a noted reviewer of black music for the BBC, the Independent, Echoes and other journals, Le Gendre brings together both a sense of historical purpose and the ability to actually describe music in vivid and meaningful ways.

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  Jerry Lee Lewis - His Own Story

  Rick Bragg

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  The greatest Southern storyteller of our time tracks down the greatest rock and roller of all time—and gets his own story, from the source, for the very first time. 
   
  The New York Times Bestseller 
   
  One of Rolling Stone’s 10 Best Music Books of the Year 
   
  A monumental figure on the American landscape, Jerry Lee Lewis spent his childhood raising hell in Ferriday, Louisiana, and Natchez, Mississippi; galvanized the world with hit records like “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” that gave rock and roll its devil’s edge; caused riots and boycotts with his incendiary performances; nearly scuttled his career by marrying his thirteen-year-old second cousin—his third wife of seven; ran a decades-long marathon of drugs, drinking, and women; nearly met his maker, twice; suffered the deaths of two sons and two wives, and the indignity of an IRS raid that left him with nothing but the broken-down piano he started with; performed with everyone from Elvis Presley to Keith Richards to Bruce Springsteen to Kid Rock—and survived it all to be hailed as “one of the most creative and important figures in American popular culture and a paradigm of the Southern experience.” 
   
  Jerry Lee Lewis: His Own Story is the Killer’s life as he lived it, and as he shared it over two years with our greatest bard of Southern life: Rick Bragg. Rich with Lewis’s own words, framed by Bragg’s richly atmospheric narrative, this is the last great untold rock-and-roll story, come to life on the page. 
   
  “An enthralling look at the birth of rock & roll and the ensuing life of its arguably most colorful exponent.” —Entertainment Weekly

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  Anthony Locascio: Confirmation

  Anthony Locascio

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  At 12 years old, every good Catholic boy has his Confirmation; the ceremony in which he receives the Holy Spirit and becomes a Catholic man. Evidently, Anthony Locascio was not a "good" Catholic boy, because he never had one.

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  MJ - The Genius of Michael Jackson

  Steve Knopper

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  From the moment in 1965 when he first stepped on stage with his brothers at a local talent show in Gary, Indiana, Michael Jackson was destined to become the undisputed King of Pop. In a career spanning four decades, he became a global icon, selling over 400 million albums, earning thirteen Grammy Awards, and spinning dance moves that captivated the world.Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson's music and talent. From the artist's early days with the Jackson 5, to his stratospheric success as a solo artist, to "Beat It" and "Thriller," "Bad" and "The Man in the Mirror," to his volatile final years, his attempted comeback, and untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson's genius. Drawing on an amazing 400 interviews, this critical biography puts all the elements of his career into perspective and celebrates his triumph in art and music.

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  Cinematic Flashes - Cinephilia...

  Rashna Wadia Richards

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  Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame.  In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences.

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  Abbott and Costello: Playing the...

  Bud Abbott, Lou Costello

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  Costello plans to play a Rachmaninoff piano concerto at Janet Blair's party. Professor Nazarro arrives to give Lou a quick piano lesson.

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