Other books that might interest you

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  The Rain Drinkers

  G. Finan

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  “That is what you get, my friend. That… is what you get." 
  Set in Long Island, NY, in the little town of Bay Shore at the beginning of the twentieth century, “The Rain Drinkers” is the story of a young man’s passage to adulthood. 
  Sent to stay with an abusive relative he has never met and the man’s unfortunate young wife, the younger man is forced to learn lessons of life, friendship, love, and loss. 
  The story touches on many topics, such as racism, immigration, and the American experience at the beginning of a new age.

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  101 Great American Poems

  The American Poetry & Literacy...

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  "101 Great American Poems" is a thoughtfully curated anthology that brings together a diverse collection of classic American poetry. Spanning over two centuries, the book features works from some of the nation's most celebrated poets, including Edgar Allan Poe, Emily Dickinson, Walt Whitman, Robert Frost, and Langston Hughes. Each poem has been carefully selected to represent the richness and variety of American poetic expression, capturing themes of nature, love, identity, and the human experience. This accessible volume serves as both an introduction to American poetry for newcomers and a treasured collection for enthusiasts, making it an essential addition to any literary library.

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  Into Light Volume Two - Poems by...

  M. D. Friedman

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  INTO LIGHT is the sixth poetry collection from the international, award-winning poet, musician and artist, M. D. Friedman, and is his first full-length poetry book. It reflects the experiences, observations, dreams and epiphanies of a lifetime, speaks quietly about the calling of the heart and loudly about injustices of the world. Eclectic in style and content, M. D. Friedman's poetry connects both the inner and outer realities of a life well-lived. INTO LIGHT Volume Two: The Poems of M. D. Friedman, the audio book, contains the 22 poems from the middle M. D. Friedman's INTO LIGHT poetry book. For all things INTO LIGHT, e.g., print, e-book, audio book, album, musical and video poetry rendentions, please see liquidlightpress.com/IntoLight.htm. "These poems are the masterwork of a different kind of man than most men I’ve known in my 73 years. He is, as we used to say, 'his own man.' More than a disciple of some orthodox poetry 'church,' you'll meet a mindful, funny, wise and compassionate person in these texts, unafraid to speak honestly and vulnerably. From Li Po to Robert Johnson, memory care to contemporary politics, grieving lament to defiant slam, MD lays it all out about as clearly as a poet can while leaving enough tantalizing mystery to feed the reader's soul for days on end. He really believes, 'It is a miracle to be alive.'! His poems encourage me to believe it, too!!" ~ wayne a. gilbert, poet and Colorado Governor's Creative Leadership Award winner "This long anticipated poetry collection opens like a portal that will rainbow a monochrome world. Reminiscent of Rumi and Hafiz, you will taste the landscape with your tongue, unable to separate your own inner body from the mountains and sky you inhabit, 'not the waterfall, but the water falling,' ... 'no longer sculpted by gravity.” A love poem to life herself, you will want to take your time, savoring each languid line. 'I am taken by how much I need this.'!" ~ Valerie A Szarek, award winning poet

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  Growing Panes - A poetic window...

  Tamara Muroiwa

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  Motherhood 
  He lies on his bed 
  I cuddle him 
  My hand is cupped 
  Under his ribcage; 
  I cannot work out 
  Which is his heartbeat 
  And which is mine. 
  This debut collection carries the reader on a journey from childhood to adulthood, covering the joy, pain, introspection and laughter encountered along the way. A must-have compilation of poems for every moment. Not to be missed.

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  Julia or The Convent of St...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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