Verlag: De Vecchi
In this cartoon with full color illustrations, the brave Kitten Lucía stops a thief who is stealing money from the market. * Simple text in dialogs. * Nice drawings. * An interesting story. * Easy to read and so much fun!
“Vivid historical writing . . . a fascinating and factual defense for the authenticity of the famous Shroud” (Christian Newswire). The Shroud of Turin, the traditional burial cloth of Jesus Christ, is either authentic or not. The Keramion, Lost and Found provides new answers to settle that centuries-old debate. In 2000, Philip Dayvault, a former FBI Special Agent, began a quest for ancient oil lamps in a faraway land, but it soon became an epic journey that gave rise to the questions… Could a small mosaic found in a faraway museum possibly have anything to do with numerous ancient, classical depictions of Jesus Christ?Could it bear an actual image of the God-Man, an image of God incarnate; and, perhaps, be the earliest known portrait image of Jesus Christ?Could it confirm vital, key elements of a 1700-year-old legend surrounding early Christianity?Could it possibly corroborate the authenticity of the Shroud of Turin as the first century burial cloth of Jesus Christ?Could the small mosaic, the ISA Tile, be the actual historical Keramion? Experience the providential discovery of the “key,” a beautiful mosaic that unlocks some of the mysteries of the Shroud and ancient, classical depictions of Jesus Christ in sacred art. Dayvault instinctively conducted this research from an investigative perspective. Now, ample evidence from this resolute and intriguing pursuit of the truth is finally revealed. With his guide and translator, Hafize, Dayvault traversed Turkey in search of ancient oil lamps, but found something much more illuminating. Be advised, though, you may also find something, perhaps, that you have been seeking all your life . . . the Truth!Zum Buch
Russell Peters takes his culturally comedic roadshow to the land of his ancestors, Mumbai, India for an evening that’s as informative as it is entertaining. Reflecting on his own immigrant lineage Peters proves why he’s more than one in 1.3 billion.Zum Buch
Ester tells us why the worst part about being a comedian are her co-workers, why threesomes in LA would just be a scheduling nightmare and questions if Picasso’s mom criticized his career path too in her debut album, Ester Steinberg: Hebrew School Dropout.Zum Buch
Broadway. The Great White Way. In its theatres—one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away. He knows everyone along Broadway—from pan handlers to operatic prima donnas—but he’s still sentimental about the street, forever an ever-changing wonderland of glamour that at any moment is ready to reveal its dark side. These are his stories.Zum Buch
A monograph of the groundbreaking photography of Betty Kuhner (1916–2014). Her prolific career built an archive of over five decades of extraordinary documentation of America’s most distinguished dynasties—with assorted Kennedys, Fords, and the families of style icons Lilly Pulitzer and Esteé Lauder included in her inspiring body of work.Zum Buch
“A fast-moving account of the era bookended by Stranger Than Paradise and Pulp Fiction . . . [a] Baedeker of off-Hollywood where all roads lead to Park City.” —Interview The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution. At the epicenter of the industry in the 1980s and ’90s, John Pierson reveals what it took to launch such films as Stranger Than Paradise, Clerks, She’s Gotta Have It, and Roger and Me. A chronicle of a remarkable decade for the American independent low-budget film, Spike, Mike, Slackers & Dykes also celebrates the nearly two dozen first-time filmmakers whom Pierson helped make a name for themselves and the hundred others whose success stories he observed at close quarters. “John Pierson has faithfully chronicled the American independent scene. He was there, he knows.” —Spike Lee “Sly, knowledgeable, deeply entertaining . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —Entertainment Weekly “The most contentiously witty and revealing view of off-Hollywood around.” —Rolling Stone “Mr. Pierson, who has lived, breathed, and hunted film for most of his adult life, covers his territory with urgency and conviction, and his single-mindedness is ravishing.” —The New York Times Book Review “Pierson’s prose is quick-moving and witty and reads like a Who’s Who of the off-Hollywood mavericks who make the movies we’d like to see but can’t always find.” —The Washington Post “A marvelously entertaining, educational, and caustic account of the rise of American independent filmmaking.” —The Globe and MailZum Buch
