Other books that might interest you

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  Vertical Pleasure - Early climbs...

  Mick Fowler

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  Vertical Pleasure is the first set of climbing memoirs from Mick Fowler - Britain's hardest-climbing tax inspector, the 'Mountaineer's Mountaineer' and recipient of the Piolet d'Or. Vertical Pleasure begins with Fowler's early teenage years on easy British rock and Swiss 4000m peaks under the guidance of his father. A frenzied spell follows, with climbing worked in around jobs, discos and girlfriends before Fowler takes a job at the tax office and settles in London. Long-distance drives in clapped out mini-vans see him tackle new winter routes in the Scottish Highlands, always managing to return for work on Monday mornings. He dodges vomiting fulmars, sinking boats and over-enthusiastic policemen in the pursuit of first-ascents on remote sea-stacks and crumbling coastal cliffs, and tackles Alpine testpieces as he develops into one of Britain's finest mountaineers. Along the way, the sport of chalk-climbing is born on the White Cliffs of Dover and a burst and frozen water pipe allows the first winter ascent of St Pancras station in London. It is when he moves in to the Greater Ranges that Fowler really begins to shine. With climbers such as Victor Saunders and Steve Sustad he begins a run of first ascents on peaks like Taulliraju, Spantik and Cerro Kishtwar. Written with a dry sense of humour, Vertical Pleasure is a must read for the enthusiastic rock, winter and Alpine climber - a classic of the genre.

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  Walk a War in My Shoes

  Murray Ernest Hall

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  On the 25th August 1895, Ernest Alfred Hall was born into a pioneering Australian family that lived on a 313-acre property called 'Cloverdale' near the hamlet of Beech Forest, south of the Otway Ranges, some 200 kilometres south west of Melbourne, Victoria. As a child, it seemed he would be destined for the life of a farmer in a country that was just realising its independence through Federation, yet his path was to be diverted by the cataclysmic events that befell Europe and the British Empire. 
  So it was, that one month short of his 20th birthday, Ernest caught the train to Melbourne and enlisted in the Australian Imperial Force. At only 5' 3" he was never going to be the biggest soldier in the army, but as his father said to him, "It's not the size of the dog in the fight, son, but the size of the fight in the dog."  
  Like so many, Ernest Hall embarked for the war to end all wars. Unlike so many, his letters and records survived. This is his story.

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  Wolf Pack - The U-Boats at War

  Bob Carruthers

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  "Once you heard that pinging sound you knew they had got to you, then the depth charges came. Terrible, just terrible." Kurt Wehling, u-boat survivor The steel coffins was the name given to the U-boats of the Kriegsmarine by their own crews. Their fatalistic view of the war was certainly justified; it is estimated that seventy-five per cent of the 39,000 men who sailed in the U-boat fleet paid the ultimate price as the tide of war turned inexorably against Hitler's Germany. This is the illustrated history of the U-boat war from the perspective of the men who sailed into battle in the service of the Third Reich. Drawing heavily on the accounts of the last remaining survivors, 'The U-boat War' traces the grim story of the rise and fall of the grey wolves. The memories of the brief days of the "happy times" of superiority and success were soon replaced by the stark terror of the enfolding nightmare as the realisation dawned that the hunters had become the hunted. Written by Emmy award winning author Bob Carruthers, this powerful account of the U-boat war features extensive personal recollections, rare photographs and extracts from contemporary propaganda magazines producing a vivid picture of what it meant to fight beneath the waves.

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  StoryCorps: Outloud

  Dave Isay

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  StoryCorps recognizes the profound historical importance of capturing the stories of the LGBTQ community and the urgent need for this work to happen now. StoryCorps OutLoud is a multi-year initiative dedicated to recording and preserving LGBTQ stories across America.OutLoud honors the stories of those who lived before the 1969 Stonewall uprisings, celebrates the lives of LGBTQ youth, and amplifies the voices of those most often excluded from the historical record. The end result is a diverse collection of stories that enriches our nation's history. StoryCorps OutLoud sets out across the country to record and preserve the stories of LGBT individuals, along with their families and friends. OutLoud is a project undertaken in the memory of Isay's father, psychiatrist Dr. Richard Isay. Professionally credited for helping to persuade the mental health community that homosexuality is not a mental disorder, Dr. Isay was himself a closeted gay man for many years. He came out to his son at the age of 52 and, in 2011, he married his partner of 31 years, Gordon Harrell, before passing away suddenly from cancer on June 28, 2012. On June 28, 2014, the 45th anniversary of the Stonewall uprising, StoryCorps inaugurated OutLoud, a three-year project to capture the experiences of L.G.B.T.Q. people. In particular, the project will seek stories from young people, minorities and those who lived before the uprising, which was a response by gays to a police raid on the Stonewall Inn in Greenwich Village and helped precipitate the gay rights movement.

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  Before You Judge Me - The...

  Tavis Smiley, David Ritz

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  A powerful chronicle of the sixteen weeks leading up to King of Pop Michael Jackson's death. Michael Jackson's final months were like the rest of his short and legendary life: filled with deep lows and soaring highs, a constant hunt for privacy, and the pressure and fame that made him socially fragile and almost  -- ultimately -- unable to live.  With the insight and compassion that he brought to his bestselling story of Martin Luther King, Jr.'s final year, Tavis Smiley provides a glimpse into the superstar's life in this emotional, honest, yet celebratory book. Readers will witness Jackson's campaign to recharge his career -- hiring and firing managers and advisors, turning to and away from family members, fighting depression and drug dependency -- while his one goal remained: to mount the most spectacular series of shows the world had ever seen. Before You Judge Me is a humanizing look at Jackson's last days.

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  William Faulkner in Hollywood -...

  Stefan Solomon

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  A scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screen­writing process (a craft he never favored or admired), he offers insights into Faulkner’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast “hack writer” but always both at once. Solomon’s study shows that Faulkner’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.

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