Publisher: Ale.Mar.
The Pensées is a collection of fragments on theology and philosophy written by 17th-century philosopher and mathematician Blaise Pascal. Pascal’s religious conversion led him into a life of asceticism and this was in many ways his life’s work.
A moving and deeply personal excavation of Indigenous beauty and passion in a suffering world In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Joshua Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls "biostory"—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land. Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.Show book
The author of The Land’s Wild Music depicts Australia’s Blue Mountains through stories of the land and the lives within it. At the farthest extent of Australia’s Blue Mountains, on the threshold of the country’s arid interior, the Blue Plateau reveals the vagaries of a hanging climate: the droughts last longer, the seasons change less, and the wildfires burn hotter and more often. In The Blue Plateau, Mark Tredinnick tries to learn what it means to fall in love with a home that is falling away. A landscape memoir in the richest sense, Tredinnick’s story reveals as much about this contrary collection of canyons and ancient rivers, cow paddocks and wild eucalyptus forests as it does about the myriad generations who struggled to remain in the valley they loved. It captures the essence of a wilderness beyond subjugation, the spirit of a people just barely beyond defeat. Charting a lithology of indigenous presence, faltering settlers, failing ranches, floods, tragedy, and joy that the place constantly warps and erodes, The Blue Plateau reminds us that, though we may change the landscape around us, it works at us inexorably, with wind and water, heat and cold, altering who and what we are. The result is an intimate and illuminating portrayal of tenacity, love, grief, and belonging. In the tradition of James Galvin, William Least Heat-Moon, and Annie Dillard, Tredinnick plumbs the depths of people’s relationship to a world in transition. Praise for The Blue Plateau “One of the wisest, most gifted and ingenious writers you could hope to find.” —Michael Pollan, author of In Defense of Food and The Omnivore’s Dilemma “I’ve never been to Australia, but now—after this book—it comes up in my dreams. The landscape in the language of this work is alive and conscious, and Tredinnick channels it in prose both wild and inspired. . . . Part nonfiction novel, part classic pastoral, part nature elegy, part natural history, the whole of The Blue Plateau conveys a deep sense, rooted in the very syntax of a lush prose about an austere land, that there can be no meaningful division between nature and culture, between humans and all the other life that interdepends with us, not in the backcountry of southeastern Australia, nor anywhere else.” —Orion “Absorbed slowly, as a pastoral landscape of loss and experiment in seeing and listening, the book richly rewards that patience.” —Publishers WeeklyShow book
Separating fact from fiction, Anatomy of an Injustice - The Killing of Fr Niall Molloy re-examines the astonishing circumstances surrounding the death of a 52-year-old priest almost forty years ago. In July 1985, the discovery of Fr Niall Molloy’s badly beaten body in the bedroom of his close friends and business associates, Richard and Therese Flynn, was the stuff of soap operas, not of a small rural village in the Irish midlands. The gentle-natured cleric came to a violent and bloody end during a weekend of extravagant wedding celebrations at the Flynn stately home, Kilcoursey House. For decades, the events of that tragic night fuelled rife speculation and gossip, as well as allegations of a cover-up by the State and Church, and today his death remains unsolved and shrouded in mystery. From an extraordinary criminal trial and acquittal, which conflicted with a subsequent inquest verdict, to a botched investigation and questions over motive, the savage beating of Fr Niall Molloy continues to beg more questions than answers. Anatomy of an Injustice - The Killing of Fr Niall Molloy builds on fresh revelations unveiled in a recent two-part TV documentary for RTE, ‘The killing of Fr Niall Molloy’, to detail and document the whole story before and after that fateful summer Sunday. In this new book, TV documentary producer, Sharon Lawless of Flawless Films, and Maresa Fagan, a journalist of 20 years standing, delve further into the case to test evidence, old and new, and follow the money trail. It forensically analyses all available facts and testimony given at the 1986 trial and inquest and also hears from criminal and medical experts about how Fr Molloy died and about what really might have occurred that night. This story of significant public interest also sheds light on the many injustices in the case and how the Molloy family were let down by the State and criminal justice system.Show book
A profoundly moving and historical record—letters sent by sixteen fathers imprisoned in the Gulag camps to their children during the 1930s–1950s.“They will live as human beings and die as human beings; and in this alone lies man’s eternal and bitter victory over all the grandiose and inhuman forces that ever have been or will be.” —Vasily Grossman, Life and FateBetween the 1930s and 1950s, millions of people were sent to the Gulag in the Soviet Union. My Father’s Letters tells the stories of sixteen men—mostly members of the intelligentsia, and loyal Soviet subjects—who were imprisoned in the Gulag camps, through the letters they sent back to their wives and children. Here are letters illustrated by fathers keen to educate their children in science and natural history; the tragic missives of a former military man convinced that the terrible mistake of his arrest will be rectified; the “letter” stitched on a bedsheet with a fishbone and smuggled out of a maximum security camp. My Father’s Letters is an immediate source of life in prison during Stalin’s Great Terror. Almost none of the men writing these letters survived.“My Father’s Letters is well presented and deeply moving. The translation is fluent and all the necessary background information is clearly provided. Some passages conjure up the life of an individual family—and of an entire culture—with heart-breaking vividness.” —Robert Chandler “Astoundingly, these stories are not miserable. Yes, the men mention their inadequate shelter, clothing and food, but the overwhelming impact is the expression of their love for their families . . . My Father’s Letters is beautifully produced.” —Vin Arthey, ScotsmanShow book
Cultural objects around the world are routinely threatened by war, looting and human impact. But a kind of modern-day renaissance workshop called Factum Arte outside Madrid is taking an innovative approach to understanding and preserving the heritage and integrity of cultural works by copying them. Jeffrey Brown reports from Spain.Show book
Summary of I Can't Make This Up: Life Lessons by Kevin HartShow book
