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  The Choephori

  Aeschylus

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  Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia, its imagery and dramatic structure, the questions of staging the play, and the manuscript tradition.

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  Poems - Emile Verhaeren

  Emile Verhaeren

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  Emile Verhaeren (1855-1916) who, along with his contemporaries Maurice Maeterlinck, Georges Rodenbach, Albert Mockel, Charles van Lerberghe and Max Elskamp, helped to define the Symbolist movement, is one of Belgium's most venerated and admired francophone poets. Dubbed the 'European Walt Whitman', he was a pro-European idealist whose poetry explores his all-consuming notion of mankind advancing to a promised land where vital creative energies and new technology could combine to produce a more progressive humanity, a hope ignominiously swept away by the industrial brutality of the First World War.
  This sympathetic modern translation by Will Stone at last allows the English-speaking world to return to, and reappraise, a major poet whose influence was felt throughout European literary circles during his life-time. Not only does this selection contain some of Verhaeren's most passionate and visionary outpourings but also some of the most tender and beautiful love poems ever written.
  "My heart is a burning bush that sets
  
  my lips on fire..."
  - Emile Verhaeren

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  The Jew of Malta

  Christopher Marlowe

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  Christopher “Kit” Marlowe (baptised 26 February 1564 – 30 May 1593) was an English dramatist, poet, and translator of the Elizabethan era. The foremost Elizabethan tragedian before William Shakespeare, he is known for his magnificent blank verse, his overreaching protagonists, and his own untimely death. 
  The Jew of Malta (1589) is an original story of religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean. The Jew of Malta is considered to have been a major influence on William Shakespeare’s The Merchant of Venice. 
  The play contains a prologue in which the character Machiavel, a Senecan ghost based on Niccolò Machiavelli, introduces “the tragedy of a Jew.” (summary by Wikipedia) 
  Thomas Heywood: The well-known dramatist of the time has included Prologues and Epilogues both for the court and the Cock-Pit theatre “…making choice of you unto whom to devote it;” . (summary by David Lawrence)Cast: 
  Ferneze, as Governor of Malta and -  Lars RolanderLodowick, his son - Jay SaundersSelim Calymath, son to the Grand Seignior - Damien Tavis TomanMartin del Bosco, vice-admiral of Spain -  Michael SiroisMathias, a gentleman  -  Daniel HuttonJacomo, a friar -  Kevin VinckBarnardine, a friar -  Aaron ElliottBarabas, a wealthy Jew  -  EHehlIthamore, a slave -  Denny SayersKatharine, mother to Mathias -  GesineAbigail, daughter to Barabas -  Andrea LeeBellamira, a courtezan -  SilencePilia-Borza, a bully, attendant to Bellamira -  CM SlossonFirst Jew and First Knight - Miriam Esther GoldmanSecond Jew, Second Officer, Second Knightand Second Merchant -  Ryan DeRamosThird Jew, Slave and Carpenter -  Laurie Anne WaldenOfficer/First Officer -  Eric J. KatowitzMerchant/First Merchant -  Anna SimonMessenger -  Lucy PerryMachiavel, as Prologue Speaker -  ontheroadAnnouncer -  Jennifer Stearns 
  Audio edited by - David Lawrence

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  Microphone Showdown

  William Wordsworth

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  This is a project which will allow readers and listeners to compare the recording quality of a wide variety of recording devices. It is a sequel to another project in which readers submitted readings of a poem on a variety of portable recording devices. For this project, readers have read "I Wandered Lonely As A Cloud" by William Wordsworth.  (Summary by Algy Pug)

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  Thresh & Hold

  Marlanda Dekine

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  A New York Times New-in-Poetry feature 
  Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines intergenerational traumas and calls institutions from the Works Progress Administration narratives to modern-day museums to task. 
  Beyond gospel music, fear, and the stories of generations past, Thresh & Hold offers magic, healing, and innovative pathways to manifest intimacy. Dekine remembers, remakes, and brings forth their many selves, traveling far in order to deeply connect to a spiritual home within and all around them, calling: “I am listening to Spirit. I am not dying today.”  
  Marlanda Dekine is the winner of the 2021 New Southern Voices Poetry Prize, judged by Gabrielle Calvocoressi.

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  The Twenty-Ninth Year

  Hala Alyan

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  "This is the stuff of life, the very essence of the poetic." —LitHubFor Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies.  A vivid catalog of heartache, loneliness, love, and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.

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