Other books that might interest you

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  Northanger Abbey

  Jane Austen

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  Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style

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  The Only Living Girl on Earth

  Charles Yu

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  From the genre-defying, critically beloved author of How to Live Safely in a Science Fictional Universe and Interior Chinatown and one of the creative minds behind HBO’s Westworld comes a sweet and searing, unexpected and delightfully absurd vision of life on Earth a thousand years in the future. 
  Jane is the only person left on the planet, minding the only business left: a gift shop. She wasn’t born on Earth, but her ancestors were; they lived there before the AI in charge of geoengineering failed and the oceans got too hot to sustain the terrestrial food web and before humans took off to colonize other planets. 
  She’s heading to college on Jupiter in the fall of 3020, so her days on the home planet—selling “American Epoch” postcards, “History: The Poster!” and “War: The Soundtrack” to tourists from the suburbs of Europa—are numbered. But as the looping promotional ad for Earth details, in the planet’s more recent past there was an amusement park, a museum, and even a model American town to draw visitors: all shuttered now, abandoned. When a man and his son crash-land their rocket and need assistance, as well as some diversion, Jane learns that the other attractions on Earth are not so defunct after all and may have taken on a life of their own. 
  Told, fittingly, in interconnected fragments, The Only Living Girl on Earth captures a place where only fragments of its landscape remain. At once dead serious and playful, recognizable and as otherworldly and unsettling as Yu’s other sci-fi reinventions, it is a cautionary tale about all that we could lose—are losing—by failing to live sustainably and about what we hope to leave behind for future generations. It is also a love letter to what it means to be human, how connected we are to a place and one another, and how we must fight to preserve these gifts. In this, Yu expresses his unique brand of cosmic humanism, that even in the face of dire circumstances, when we feel the most estranged from who and what we are, there is still hope.

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  Seasons in Hell - With Billy...

  Mike Shropshire

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  “A funny, revealing, Ball Four–like romp through mid-seventies baseball” from the longtime sports columnist and author of The Last Real Season (Booklist).   You think your team is bad?  In this “disastrously hilarious” work on one of the most tortured franchises in baseball, one reporter discovers that nine innings can feel like an eternity (USA Today). In early 1973, gonzo sportswriter Mike Shropshire agreed to cover the Texas Rangers for the Fort Worth Star-Telegram, not realizing that the Rangers were arguably the worst team in baseball history. Seasons in Hell is a riotous, candid, irreverent behind-the-scenes account in the tradition of The Bronx Zoo and Ball Four, following the Texas Rangers from Whitey Herzog’s reign in 1973 through Billy Martin’s tumultuous tenure. Offering wonderful perspectives on dozens of unique (and likely never-to-be-seen-again) baseball personalities, Seasons in Hell recounts some of the most extreme characters ever to play the game and brings to life the no-holds-barred culture of major league baseball in the mid-seventies.    “The single funniest sports book I have ever read.”—Don Imus  “The locker-room shenanigans of a lousy team of the 1970s.”—Publishers Weekly

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  Daddy Stop Talking! - & Other...

  Adam Carolla

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  Last Will & Testament of Adam CarollaI, Adam Carolla, being of beaten-down mind, declare this to be my Last Will and Testament. I revoke all wills and addendums previously made by me. (You guys never did listen, anyway.) Article II appoint the rest of the world's unappreciated dads as Personal Representatives to administer this Will. I bequeath to them the right to crack a couple cold ones in the garage after working their asses off all week and ask that they be permitted to watch all the porn they like and not have to change diapers and get dragged to every preschool "graduation" and PTA meeting.  Article IITo my wife, I leave a safe-deposit box, the sole content of which is a note reading "Get a job. I'm dead," and my best wishes on trying to keep up with the unending demands of our houses, cars, dog, and kids.Article IIII devise, bequeath, and give my kids this book, Daddy, Stop Talking. Since you guys were the death of me, I leave you these pages of wisdom. But no cash, cars, or property. You've got to earn those. On that note, I further demand that the following message be placed on the marker of my grave: "You're All on Your Own Now. Enjoy."

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  Lightning Rods

  Helen DeWitt

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  All I want is to be a success. That's all I ask.' Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then he fails to sell a single Electrolux and must eat hundreds of pieces of homemade pie, served up by his would-be customers who feel so sorry for him. Holed up in his trailer, Joe finds an outlet his for frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brain storm, Lightning Rods, Inc., will take Joe to the very top - and to the very heart of corporate insanity - with an outrageous solution to the spectre of sexual harassment in the modern office.

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  Right Ho Jeeves - Classic Tales...

  P. G. Wodehouse

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  Gussie Fink-Nottle can't quite find the pluck to ask the girl of his dreams to marry him. He consults Jeeves of course. But Bertie, feeling his lemon just as supple as his manservant's, steps in and takes over the case. What follows is a torrent of hilarious hi-jinks, as only P.G. Wodehouse can deliver.

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