Altri libri che potrebbero interessarti

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  Art History Art Nouveau

  Jean Lahor

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  Art Nouveau designates a decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a "renaissance" in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists ever since. Art Deco, the successor of Art Nouveau, appeared after World War II.

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  Natural Processes in Textile Art...

  Alice Fox

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  More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work.
  Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark.
  The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.

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  Fathers and Sons

  Brian Friel

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  The epic sweep of Turgenev’s 19th century literary masterpiece is brought to the stage by one of Ireland’s greatest living dramatists. Fathers and Sons captures the ongoing clash of generations and philosophies. Set in a Russian country estate, Friel’s powerful and resonant adaptation examines the inevitable conflict between the urgency of youth and the entrenchment of age. An L.A. Theatre Works full cast performance featuring: James Callis as BazarovHarry Hamlin as PavelNicholas Hormann as Prokofyich/TimofeichJane Kaczmarek as Arina/Princess OlgaAlfred Molina as Vassily/NikolaiMolly C. Quinn as KatyaJohn Sloan as ArkadyDevon Sorvari as FenichkaDaniel David Stewart as PiotrJocelyn Towne as DunyahsaJoanne Whalley as Anna Original music performed by Anna Lyse Erikson on the cello, Nicholas Hormann and Stephen Van Dorn on the piano, and Paul Baird on the accordian.Directed by Martin Jarvis. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in March of 2016.

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  Private Lives

  Noël Coward

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  The lights of a yacht on the French Riviera are reflected in the water and in the eyes of four hilariously mismatched lovers. Private Lives shimmers with wit, romance, desire and bittersweet truth.An L.A. Theatre Works full-cast performance featuring Rosalind Ayres, Marnie Mosiman, Ian Ogilvy, Begonya Piazza and Kristoffer Tabori.

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  Picasso

  Jp. A. Calosse

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  Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences...

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  Belly Dance - The Dance of...

  Tina Hobin

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  Tina Hobin - acknowledged expert and practitioner of belly dance, with many years experience of teaching and dancing throughout the world - introduces us to the history of this ancient and mystical dance in an accessible style, both enjoyable and easy to read. Tracing the evolution of belly dance from prehistoric fertility rites, the cult of the shaman and temple dances of Ancient Egypt, she explores how the music and motion of the belly dance featured in the rise and fall of entire empires. Looking also at modern belly dance and its growth across the Western world, Tina Hobin combines the history of dance with an explanation of the health benefits of dance, and a step-by-step guide to modern dance movements. Hobin also asks that we dismiss the commercial exploitation of dance, which is in danger of hiding the art behind this oldest of art forms.

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